Symphony In Three Movements is one of George Balanchine’s most iconic “leotard ballets.” The ballet is a complex and bold work that perfectly personifies Balanchine’s relationship to Stravinsky’s music. “I like Stravinsky's music,” Balanchine once said. “It is so strict, so solid. It never comes apart. You cannot improvise upon it. It's built like mathematics.” See Symphony In Three Movements this spring: nycballet.com/balanchinemeetspeck | New York City Ballet

George Balanchine's Prodigal Son was one of the first of many ballets to achieve international reputation. Today we revisit the Joffrey's production from 2014. #BalanchineWeek | The Joffrey Ballet

324K views · 8.1K reactions | Tiler Peck, Teresa Reichlen, and Sara Mearns discuss their inspiration and experiences performing George Balanchine's JEWELS, an epic full-length evening consisting of three remarkable ballets. Sept 28, 30, Oct 1 Mat, 2 - goo.gl/bldA8c | New York City Ballet | Facebook

31K views · 1.1K reactions | During the October 1 Balanchine + Ratmansky program, advanced students of The School of American Ballet will take to the NYCB stage to perform George Balanchine's Serenade (in place of Monumentum pro Gesualdo and Movements for Piano and Orchestra) to celebrate the 90th anniversary of both the School and of Serenade. Join us for the one-night occasion: nycballet.com/balanchineratmansky | New York City Ballet | Facebook

George Balanchine, who famously choreographed multiple ballets to composer Igor Stravinsky’s scores, once said: “I like Stravinsky's music. It is so strict, so solid. It never comes apart. You cannot improvise upon it. It's built like mathematics.” See three of his ballets set to Stravinsky's music: Apollo, Orpheus, and Agon (seen here) on the Stravinsky & Balanchine program, JAN 22, 24, 26 eve & FEB 1, 2 mat: nycballet.com/stravinsky | New York City Ballet

George Balanchine's Sonatine premiered nearly 50 years ago on opening night of NYCB's 1975 Ravel Festival. In his review for The New York Times, Clive Barnes remarked, "The high point of the evening came during the intermission when the French Ambassador, Jacques Kosciusko‐Morizet, standing in front of the closed curtain, presented the Order of the Legion of Honor to George Balanchine, artistic director of the New York City Ballet." Experience this rare gem of a pas de deux, complete with an ons

Indiana Woodward in George Balanchine's La Source New York City Ballet | Núcleo de Dança Carolina Cox